Contemporary multi-disciplinary artist Merritt Johnson, a descendant of the Blackfoot and Kanienkehaka Tribes, writes that most people think of “beads and feathers” when they hear the term “Native American art.” This pigeonholing, among being immensely generalized and demeaning, fails to the acknowledge unique individual expression between and within Native American communities. There are 567 federally recognized Native American nations in the United States. Amongst those tribes exists a great deal of diversity in culture, language, and elements of day-to-day life such as food preparation and dress. Conflating Native American cultures disregards this diversity, and effectually silences Native American voices.
This is what makes the Jimmie Durham controversy so complicated. In case you missed it: Durham has long been regarded as the central, or at least the most well-known figure of Native American Art. He has historically identified with Cherokee descent (along with a bizarre slew of celebrities including Johnny Depp, Cher, Miley Cyrus, and Johnny Cash), and this identity is a central aspect of his work. Durham’s recent retrospective at the Walker Art Center in Minneapolis has sparked a massive controversy, as multiple Cherokee artists and curators claim that Durham is not in fact recognized by any of the three Cherokee nations. In an article published on Indian Country Today, contributors write that “Durham continues to misrepresent Cherokee language, history, and culture. Throughout his career, he has misrepresented other’s tribes’ practices (giveaways, vision quests, Trickster Coyote, feasts of the dead) and said they are Cherokee. His fabrications insult not only us but also the other tribes whose cultures Durham has misappropriated.”
The controversy is complex, as Durham was a fervent activist with the American Indian Movement in the ’70s, and his work has always relied on themes of Native American identity and the destructive nature of colonization. In a recent New York Times article, Durham admits, “I am perfectly willing to be called Cherokee…. But I’m not a Cherokee artist or Indian artist, no more than Brancusi was a Romanian artist.” (Brancusi was born in Romania.) But it also sounds a whole lot like that time “Iron Eyes Cody,” the actor in the infamous 1970s “Crying Indian: Keep America Beautiful” PSA video who earned a number of roles on the premise that he was Native American, was “outed” as second-generation Italian.
It’s about time that Native American artists start getting recognition and support for their work, apart from the media representations by non-Native folks. Meet these eight groundbreaking artists of Native American descent, working in a variety of mediums, who are making moves to counter the stereotypes of Native American art and culture in contemporary society.
Location: visit London Mithraeum Bloomberg SPACE at 12 Walbrook, City of London, EC4N 8AA. Nearest station: Bank.
Opening hours: closed Monday, 10am-6pm Tuesday-Saturday, 12pm-5pm on Sunday.
Entry: Free, but the venue has a limited capacity and often hosts school trips and tour groups, so book in advance to guarantee admission.
More information: on their website.
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